Neil Doherty reading

Few are truly ecumenical in their tastes; most of us have our favored corners. My delight comes mostly from light verse, or poetry that was written before 1950. Not that the particular year is important, but I revert to a time before the confessionalists and post modernists, when poets were a little more reserved and when meter and rhyme still were thought to be worth the effort. So, here are the efforts of an unabashed “rhymer” on a set of projects ranging through, art, politics and science (plus a little personal history).

SCHOOL UNIFORM

I remember those grey flannel trousers,
short pants with a button-up fly;
I remember grey shirts (and girls’ blouses)
and a permanent knot in my tie.

My mother bought grey flannel trousers
at a second-hand place in the town,
where folk from those grey terraced houses
bought kecks for a measly half-crown. [1], [2]

Only in fullness of time could
technology make us quite hip,
when every new pairing of pants would
have buttons replaced by a zip.

Despite all our gripes and our grouses,
this fashion passed some of us by,
for those who had second-hand trousers
still had a button-up fly.

Now those without lamb do with mutton  ̶
my friends all had pants with a zip,
while I had to fumble a button,
my better-off mates let it rip.

I remember when Dad got his job back,
I remember the glorious trip,
I remember that wonderful gob-smack, [3]
when Mum bought me pants with a zip.


 

Notes:

 

[1]     Oh the prejudice language arouses
for my generation and sex,
of course we would never say trousers,
we only wore pants or wore kecks.

[2] Half a crown was ⅛ of a pound in the old British currency.

[3] Gob-smack is British slang for a big surprise.

TABULA RASA (BLANK SLATE)

The earliest image that I can evoke,
though it flits at the edge of a dream,
is a garden surrounded by willow and oak
and bordered one side by a stream.
My parents would tell of this place that they knew,
though that was before
the end of the war,
when I would have barely been two.

Now sense would allow that the sentient “me”
is the sum of the things I recall;
and as time tapers backwards I fade by degree
to the cusp of the nothing-at-all.
And the last I would be, in this waning of wit,
is a glimpse, it would seem,
of a garden and stream,
as I turned to a life to be writ.

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